Journal of Boredom
Studies (ISSN 2990-2525)
Issue 2, 2024, pp.
1-4
https://doi.org/10.5281/zenodo.13872787
https://www.boredomsociety.com/jbs
Josefa Ros Velasco:
La enfermedad
del aburrimiento. Alianza Editorial, 2022, pp. 298. ISBN: 9788413628011
Mayara da Mota Matos
Universidade Federal
de Alfenas
https://orcid.org/0000-0001-6299-5910
How to cite this paper: da Mota Matos, M. (2024). Josefa
Ros Velasco: La enfermedad del
aburrimento Alianza Editorial, pp.
298, 2022. ISBN 9788413628011. Journal of Boredom Studies, 2.
https://doi.org/10.5281/zenodo.13872787
If
we are something, we are desire. Continuous and insidious desire to be, to
have, to represent ourselves to others, and if we yearn for a peace of heart that will put a stop to the volitional
rampage, the only answer is knowledge. Knowing what we are is the beginning to
tolerate ourselves, to put up with ourselves and to live in a ‘sociable
unsociability’ with others.
Carlos Javier González
Serrano, in Ros Velasco, La enfermedad del aburrimiento.
In the end of the
introduction of the book La enfermedad del aburrimiento, in English The Disease of Boredom,[1]
by Dr. Josefa Ros Velasco, the author offers us an invitation: to engage with
our own experiences with boredom to cultivate self-awareness for understanding
and embracing it wholeheartedly. The intent is to delve into the essence of
boredom surpassing mere categorizations of good and evil or pathology and
disease to uncover its hidden depths. This is the path she leads us through in
the 289 pages of the book.
La
enfermedad del aburrimiento offers a comprehensive exploration
of boredom as a complex psychological and social phenomenon. Ros Velasco traces
the concept of boredom as a pathology from antiquity to the contemporary age,
by studying its diverse depictions, in philosophical, theological, medical, and
psychological literature. Over the course of the chapters, the author retraces
in detail the historical perception of boredom, presenting it as a pervasive
phenomenon that has affected Western society, and exploring the evolution of
societal attitudes towards it.
Therefore,
boredom is established as a multifaceted experience, ranging from situational,
a simple passing moment, to deep, a chronic form, each carrying unique
characteristics and consequences. As other authors working with boredom in the
last decades, Ros Velasco also questions the idea of boredom being only a negative
feeling (among others Elpidorou, 2020; Harris, 2000; Mann and Cadman, 2014), highlighting the potential adaptive functionality of situational
boredom. She suggests that despite its unpleasant nature, it can stimulate
reflection, imagination, and anticipation, preventing stagnation. In this
sense, the book presents an excellent exploration of the dual nature of
boredom, contrasting its negative connotations, associated with chronic
illness, and its potential positive effects in healthier types. In fact, the
author presents a very sensible distinction between the effects of pathological
and healthy forms of boredom, while focusing her analysis on pathological views
of boredom through history.
Following
the time frame posited by the narrative, we are familiarized with the
perception of boredom since as a shameful state linked to a lack of dedication
to society and virtue in Greek antiquity, to its classification as a capital
sin in the Middle Ages (acedia), towards its designation as the mal del siglo, culminating in its emergence as a symptom of
modernity’s capitalist ethos.
Drawing
extensively on the historical perception of the construct, the book portrays
the process of transition from boredom as an individual condition associated
with a loss of faith or a lack of meaning in life to a wider social and
cultural symptom after the French Revolution. In this sense, chapter four is
rich in insights of its representation in literature and philosophy,
emphasizing the association with the loss of metaphysical values and
existential anguish. The called ennui persists on French literature from
the 19th century, eternalizing the pathological vision of boredom as a chronic
disease, both social and individual, leading to melancholy and suicide. Quite
sensibly, the author points the tension created between sociological and
medical-psychological views of boredom, that persists to this day and make it
difficult to study the construct.
Moving
forward in time, Ros Velasco draws important connections between boredom and
worker alienation, especially in the context of industrial capitalism, arguing
that job dissatisfaction and a lack of personal fulfillment contributed
significantly to feelings of alienation and boredom in working life.
Ironically, as boredom arise from both an excess and a lack of free time, it
establishes a complex relationship with leisure, productivity, and
psychological well-being. This perspective adds a critical socioeconomic
dimension to the understanding of boredom, making the book valuable for
researchers looking into workers’ health who would like to start getting closer
to studies in the field of boredom.
The
author also advocates the existence of a paradoxical relationship between
boredom and mass entertainment culture. The main argument is that while the
cultural industry was developed as a solution to “democratized boredom”,
offering intensified stimulation and proliferating entertainment activities, it
inadvertently contributed to a new form of widespread boredom since it also
discourages independent thought and intellectual effort. In an excellent move,
the author questions us: “It is not easy to say which causes more discomfort,
being bored by the fact of doing nothing or being bored doing something that
was supposed to free us from boredom” (p. 164), defending the latter as a cause
of greater hopelessness.
Based
on the work of philosopher Hans Blumenberg, in the last chapter of the book Ros
Velasco seeks to understand ‘the pathological prehistory of boredom’. The
author’s exploration of boredom as a potentially adaptive behavior in
anthropogenic situations is particularly intriguing. On this base, she posits
that boredom may have played a crucial role in human evolution, possibly
emerging in prehistory, what challenges the notion that boredom is merely a
modern affliction, suggesting deep roots in our evolutionary history.
While
acknowledging the speculative nature of many of these ideas, Ros Velasco
presents a compelling case for boredom as a fundamental aspect of the human
condition. She suggests that our propensity for boredom might be one of the
defining characteristics that separate us from other species, potentially
driving our continuous quest for novelty, stimulation, and meaning. These ideas
align with recent research on bioecological models’ development of boredom,
that suggests the pivotal role of context on boredom regulation, closely
related to our societal systems (Anderson and Perone, 2024).
Ros
Velasco highlights that despite the growing body of research on boredom our
understanding of the subject remains limited. Throughout the historical and
scientific overview presented a crucial point is underscored: regardless the
wealth of research, a universal understanding and definition of boredom remains
elusive. Although this lack of consensus has led to persistent claims about
boredom being an understudied phenomenon, the author contends the opposite:
boredom has been extensively studied, particularly in recent decades and within
the fields of psychology and psychiatry. This paradox reinforces the author’s
claims about the complex and multifaceted nature of boredom and the need for a
more nuanced and interdisciplinary approach to understanding this construct.
In
essence, Ros Velasco invite us to reconsider our relationship with a
fundamental aspect of the human condition by challenging us to engage more
deeply with our experiences of boredom. This challenge becomes even more
provocative for researchers. There is much to uncover about the roots of
boredom in human history, its adaptive functions in our development, the role
of boredom in social change, and in another sense, effective boredom coping
strategies and functional management.
In
conclusion, La enfermedad del aburrimiento
represents a landmark contribution to the field of boredom studies, offering a
comprehensive and nuanced exploration of the subject. Through meticulous
research and thoughtful analysis, Ros Velasco traces the historical and
cultural evolution of boredom while challenging conventional wisdom about its
nature and implications.
References
https://doi.org/10.1177/00332941241275590
Elpidorou, A. (2020). Propelled: How
Boredom, Frustration, and Anticipation Lead Us to the Good Life.
Oxford University Press.
https://psycnet.apa.org/doi/10.1111/j.1559-1816.2000.tb02497.x
Mann, S.,
and Cadman, R. (2014). Does Being Bored Make Us More Creative? Creativity
Research Journal, 26(2), 165–173. http://dx.doi.org/10.1080/10400419.2014.901073